Special Feature

Four Propositions On True Crime and Abolition

Pooja Rangan & Brett Story

An exploration of what documentary is,
with an eye toward what it might become.

Published by UnionDocs Center for Documentary Art, World Records brings together the voices of scholars, critics, makers, and curators who offer new and complex perspectives on documentary to challenge and extend its margins.

An expanding nonfiction media culture finds itself in a number of new spaces, from the proliferation of documentary in film festivals, galleries, and activism, to other forms of social, mobile, and emerging media, yet there is as of yet no critical journal dedicated to exploring the implications and the possibilities of this shifting terrain. The objective of the journal, mirroring the spirit of UnionDocs more broadly, is to frame the idea of documentary media as expansively and inclusively as possible.

World Records adopts an ecological view of non-fiction, one that investigates the conditional as well as the expressive forms of relation in the images that constitute our shared worlds. The journal approaches criticism not as the study of finished products, but as a rigorous space of engagement with a variety of image-based forms that are always contestable.

Published semi-annually, individual peer-reviewed volumes are organized around broad yet well-defined themes that engage the intellectual, technical, and formal strategies that are at the heart of an engaged contemporary nonfiction media practice, as well as the cultures that frame it.

Volume 4 

In The Presence of Others