What is a documentary camera?
What do cameras do?
How do we know?
The increasing number of cameras, the number of individuals and spaces exposed to their effects, and the massive volume of photographs and video generated by those cameras and then shared, posted, streamed, installed, and screened across the globe suggests that it might be time to re-evaluate these questions and return to a set of first principles.
Within the field of documentary, the camera is often thought of as a key tool of transparency in a democratic politics of publicity, one where the camera aids in making publics by making public that which remains hidden. But a contemporary surplus of recording devices produces as many dilemmas as it may resolve: it might be said to produce not more democracy but more suspicion, and their ubiquity comes at a time when many are experiencing more precarity than stability. We solicit papers and abstracts on questions that help to explore and expand upon the contradictions of our present social and technological moment by addressing questions including, but not limited to, the themes listed below.
WORLD RECORDS, Volume I
The Documentary Camera Table of Contents
Jason Fox, Introduction: What do Cameras Do?
Ariella Azoulay and Aïm Deüelle Lüski, Not at the Click of a Button
Sherry Millner and Ernest Larsen, Beyond the Expedient: An Interview with Isaac Julien
Jeffrey Skoller, iDocument Police: Contingency, Resistance, and the Precarious Present
Benj Gerdes, Everything Can Be Optimized: Review, Comment, and Message board as Proto Camera
Pamela Cohn, The Present Moment: A Conversation with Kirsten Johnson
Cecilia Aldarondo and Thomas Allen Harris, Archival Interventions: Cecilia Aldarondo and Thomas Allen Harris in Conversation
Scott MacDonald, The Sublimity of Document: Carl Akeley, The Habitat Diorama, and Dioramic Cinema
Eli Horwatt, “All of our grievances are connected:” An Interview with The Illuminator Collective
Jason Fox, The Terrain of Human Rights Imagery: A conversation with the Abounaddara Film Collective
Lonnie van Brummelen and Siebren de Haan, “Something is there:” Filmmaking in Multiple Realities”
Cooper Battersby, Emily Vey Duke, and Vashon Watson, Camera Ministry: A Conversation with Khalik Allah
Mandy Rose, Virtual Realities: Immersive Documentary Encounters
Jean-Marie Teno, Africa Shoots Back
Ariella Azoulay and Miki Kratsman, Targeted Killing
Huffa Frobes-Cross, Various Representational Tasks: The Documentary Strategies of Martha Rosler, Fred Lonidier, Phel Steinmetz and Allan Sekula, 1972-1976